Archive for December, 2008

Oliver Postgate

Wednesday, December 10th, 2008

It is with great sadness that I read about the death of Oliver Postgate yesterday. Creating TV shows for children for over 20 years, he created many of Generation X’s favourite teatime programmes. The Clangers, Ivor the Engine, and Noggin the Nog were created by Postgate and his puppeteer partner Peter Firmin, but it will be for the pink saggy old cloth cat that he will be most remembered.

Bagpuss was my most favourite TV programme when I was a boy, and I have fond memories of the 13 episodes that Firmin and Postage made. And, although I haven’t watched them for years, I can guarantee that they will have stood the test of time. Gentle tales of make do and mend were the order of the day in 1974, which, given the current economic climate, is just one of the reasons why they are still relevant today.

Rather sadly, a whole generation of children has missed out on this man’s marvellous creations and stories. In the modern age, most animation is now created by computer, whereas the Firmin and Postgate team used painfully slow stop-start techniques, which suited their tales well. And, while the rights to some of Postgate’s characters have been sold to bring to a new generation, the mended and fixed versions for the digital age won’t be anywhere near as endearing as those original classics of 30 years ago.

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Russell Court, London

Monday, December 8th, 2008


Imposing: the corner of the 1930s Russell Court, London, looking west

There are over 35 Art Deco buildings in London, and while they are sprinkled around, most seem to be in  the western half of the city’s centre. Walking to Covent Garden to have our post-wedding breakfast at Upper Deck, the café  in the Transport Museum yesterday morning, we chanced upon one of them, Russell Court, on Woburn Place.

My flat in Ipswich is part of an eighteen-strong purpose-built development in three blocks of six built in the late 1930s. I thought that was unique in itself; at the time the apartments must have been quite luxurious – they’re certainly large, quiet, well-made, and eclipse anything modern. But they have nothing on the scale of Russell Court.

A development of over eighty apartments over eight floors, and made of dark red brick, there almost definitely some similarities with my place in Ipswich. Rows of crittal bay-fronted windows give way to two concrete column entrances. Russell Court is certainly obvious, imposing and grand in scale, but yet somehow glamorous, too.

Around the corner in Coram Street there’s yet more flats, just as equally packed in and with as beautifully stylish a façade as their relatives a few yards away. One of the best aspects of the development, though, is the Coram Street car park, which is tucked away underground, and with 90 spaces, provides out of sight and off-street parking for £19.00 per day.


Close-up: rows of crittal windows on the corner of 1930s Russell Court

Now run by NCP, dark and open-mouthed tunnel must be famous for something other than swallowing cars for combustion engine powered commuters. I’d heard about it before, and seen it on the television, but I could turn up nothing noteworthy about it or Russell Court on the internet. The brickwork above the entrance curves around in a gentle fashion, and rows upon rows of tall windows look out onto the sun in the west.

A forecourt and filling station used to reside on the corner of the car park entrance, at the junction of Coram Street and Woburn Place. Well-to-do motorists used to have to drive into the car park over part of the filling station forecourt, and there have been many previous planning applications to change the building just in front of the entrance, all of which have been refused.

Rightly so, too. An underrated and spectacular display of 1930s architecture, Russell Court and its underground car park are more deserving of a more sparkling and less ordinary history that seems to have eluded it. Of course, if you should know of a more glamorous previous life in the history of the development, please post a comment below.

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Luke and Emilie’s wedding

Monday, December 8th, 2008

You know you’re somewhere special when there’s a string quartet, a list of presidents on the grand staircase wall, and lots of plaster stuccoed pillars. On Saturday we found ourselves at the Royal Society of Arts in John Adam Street, London, by invitation of Luke and Emilie to celebrate their wedding.

It was very special day. There really couldn’t be a much better venue, and as the families had almost hired it out exclusively, the guests had the run of the place. The ceremony itself was held in the Grand Room – which was as grand as it sounded – and included beautifully romantic readings in both English and French, as Emilie’s mother’s side of the family descend from across the Channel.

From there, there were pre-dinner drinks in the vaults, and then the celebratory meal in the Benjamin Franklin room upstairs. The meal was delicious; just the right amount of each course to make you feel that you’d enough, but also to make you look forward to the next dish that followed.

And what a feast it was. There was thinly-sliced tuna carpaccio with a pickled walnut dressing to start, pork and cider sausages with parsley mash and a redcurrant jus to follow, and baked lemon curd cheesecake with kumquat marmalade to finish. Coffee and chocolates were the refreshments and palette cleansers of choice.

Washed down with lots of white wine and champagne, the wedding cakes broke with English traditions and looked delicious, too. One was made of cheese rounds, and along with a traditional French croquembouche (a dessert of pyramid crème-filled pastry puffs decorated with a caramel glaze), was enjoyed at the after-dinner reception.

Just before coffee, we had memory-tinged speeches by Emilie’s dad, and Luke’s best men, all of whom reflected on the individuals that made up the happy couple, and the new pairing that they made together, as well as telling us some of the humorous tales that had made up their four-year story so far.

The waiting staff’s timing was impeccable, and the whole event was very well run, the RSA’s staff just moving things along at exactly the right pace. Full of bubbly, food, and wine, we said our goodbyes before the disco (to Kathryn ‘s chagrin) and left just after 10pm, to wend our way back to the hotel at King’s Cross.

Stepping out into the chilly night air, we strolled though Covent Garden, stopping to take a look at the LED icicle lights. Reflecting on what a special day the happy couple and guests alike had enjoyed, we thought about the twists and turns that had brought both us and our now married friends to the places where we all now are, more than happy where that place is.

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Polo Selecta

Thursday, December 4th, 2008

Car modifying can be an exact science. If you fit wheels that are too big they can scrape the wheelarches. If you fit suspension that is too low, you lose your teeth over every speed bump, and every pothole in the road becomes a crashy black hole. Some are so deep, your nicely modified car could quite feasibly get lost in them, never to return. So, before you alter anything, here’s a tool which can give you a little cosmetic idea of what those mods will look like. But only if you have a 1981 to 1994 Volkswagen Polo.

Made by the Polo-Land forum in France, Polo Selecta is based on a similar piece of kit for previewing modifications on old Beetles. First, you choose your steed (hatchback, coupe and saloon are all there, pre and post-facelift), then apply a colour, and you’re away. Wheels can be chosen next – 80s Ronal Turbos or classic ATS 15-inchers? Suspension can be slammed to the floor (but be wary of those violent sleeping policemen), and the rake of the car adjusted, too.

Accessories can be added, as can different sets of lights, side repeaters, aerials, and side mouldings and spoilers can be added or taken off. Great detail has been made to make every detail right. With the colour palette, there’s even a selection of decals from the varying Polo models that had them. The possible combinations are staggering. It’s great fun, can while away more than a few minutes, and I can see it becoming quite addictive. Your Polo can instantly become a Po-low, and the age-old ‘What flavour is yours?’ Polo mint gag can be taken to new heights.

It’s a while since I modified a car, as these days I prefer my 1994 Polo GT near-standard (on the outside at least), but I could quite easily catch the online modifying bug. Although not radical, how are these for starters?


Modern with a classic twist: lowered Polo Coupe 2F with ATS 15″ alloys


Old school: lowered Polo Coupe 2 with 14″ ‘Pirelli’ alloys and GT decals

Polo Selecta. Which flavours (or should that be flavas) will you create?

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