Archive for February, 2009

Another Brief Encounter

Sunday, February 15th, 2009

We’ve spent the evening of 14 February in the coldness of the Capital the last two years, so as Valentine’s Day 2009 fell on a weekend, we decided to stay warm and celebrate indoors. Two years ago we sat on Primrose Hill looking down at the twinkling lights of the City, while last year we watched the 1945 classic film Brief Encounter projected onto the wall of the National Film Theatre.

We thought that being outside, we’d missed chunks of the dialogue, so decided to watch it again last night. It turns out that we hadn’t missed anything of note at all, although I can’t deny it was much easier to follow being able to hear the sound and see the picture in all its  digitally remastered and restored quality and clarity. Even if I did fall asleep briefly at the end.

Writing this post and backdating it allows me to make reference to the ridiculous fact that kissing is to be banned on railway station platforms and communal areas at Warrington Bank Quay station, as it delays train services and causes congestion. Ironically, the first place to feel the affection pinch, Warrington is only a few breathless heartbeats and footsteps away from where David Lean’s classic film was shot.

So while Celia Johnson and Trevor Howard could lean out of the train window or stand on a steam-filled platform for a last-minute goodbye, it seems that 64 years later, in Warrington at least, the rest of us will have to make do with the briefest of encounters elsewhere.

New Street Scirocco: solved?

Friday, February 13th, 2009

Remember the VW Scirocco in New Street mystery from two weeks ago? It appears that the question mark hanging over the car’s conspicuous appearance on the Capital’s cobbles might have been removed. While flicking through an old edition of the Essex Chronicle newspaper recently, I came across an advertisement for Inchcape Chelmsford, the local Volkswagen retailer.

It was the fact that it was advertising different flavours of Polos which caught my attention initially, but on closer inspection, there was something very familiar about one of the pictures. The images had all been shot for VW, but distinctly weren’t press images, so they had clearly been taken for advertising purposes, on what looked like London streets.

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Familiar? The Polo on the right wears the New Street Scirocco reg no

And there it was. The Scirocco had been wearing number plates with the mark RV58 UWY, exactly the same as one of the Polos in the Inchcape copy. Mystery solved. It turns out that it was most probably an advertising shoot after all. Moving around from car to car, this would certainly explain the blue-tinted film on the Scirocco’s centrally-owned number plates. They were clearly brand new, and the film had yet to be removed for road use.

Floods in Chelmsford

Wednesday, February 11th, 2009

It was a close run thing. No-one expected that the snow of last week would give way to a month’s worth of rain on Monday night, flooding many parts of East Anglia. Most of Essex was severely underwater yesterday morning, and just like when the white stuff hit last week, it was a pre-work morning lost in a flurry of radio bulletin listening, and checking the web for latest developments for the latest news.

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I made it into work, but Nik took the picture above of the Chelmsford nature reserve near the house on a flood reccie yesterday morning. The river runs to the left of the image just past the trees. The centre of the picture is usually the lush green river bank, and to the right is a footpath, which joins up to the one at the bottom of our road. It looks very deep, but it’s only when you realise that the spindly poles sticking up on the right-hand side of the picture are street lights, then it’s apparent just how high the water was.

Threatening to creep into the neighbours’ garden across the road, the water took the allotments captive that back onto us, and even Central Park in the centre of the town resembled a lake. It’s only happened once before while we’ve been here, but this week’s flood water level was much worse than that of last time. The waters have receded today (but haven’t disappeared), and the authorities say that they have now peaked, but for a few hours yesterday, there was a real evacuation danger.

Saint Etienne: Method of Modern Love

Monday, February 9th, 2009

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So fickle is the world of pop. Or maybe it’s me. Two short weeks ago, I virtually hailed Lily Allen’s recent chart topper The Fear as the best track of 2009 so far, all the time knowing that my actual favourite song of the year was to hit the shelves today. Regular readers will know of my fondness for London-based Saint Etienne, so it’s no surprise that I’m greatly anticipating their latest offering, Method of Modern Love. I have been making do with a 30-second clip pilfered from Popjustice since December after all.

The electro-popsters’ releases aren’t prolific, the most recent single being Burnt Out Car, last September. So, when something new hits the online and download shops, it’s big news for their fans. Such was the case for MoML, which has been released on two CDs and old school collectable 7â€? vinyl. Why such big news? Limited to 1500 copies of each format, 500 versions of every physical release have been signed by a member of the band.

Available from the Et’s online record store, it was, typically and predictably, pandemonium on the day of the track’s release for ordering. The website crashed and pages were lost, as eager buyers tried to secure hand numbered copies signed by Sarah, Bob, and Pete. Limiting the pressings to 1,500 of each format was bad enough, but through perseverance and luck, we managed to get a set. However, whether or not it will be one of the signed sets remains to be seen. Fingers crossed.

Is the song worthy of such huge demand? The emphatic answer is yes. A perfect slice of Noughties electronica, a bouncy, galloping bassline with layered synths backs up Sarah Cracknell’s smooth, soft, and silky vocals, which form around a very catchy chorus. I thought Burnt Out Car was one the band’s forgotten gems (the track originally dates from 1995), and the new version one of the musical highlights of 2008. But this ranks with their classic stuff from the early 1990s, and is quite possibly the best thing they’ve ever done.

Backed with This is Tomorrow, from the film with the same name about the Royal Festival Hall, MoML sums up Saint Etienne to a tee. The threesome have been recording the best shiny, sunny pop for over 18 years now, and have rarely disappointed. A somewhat farce to get hold of by the method of madness through which it was sold, yes, but MoML is a modern Saint Etienne classic, and a fitting addition to the band’s timeless and melodic back catalogue, which I’m looking forward to exploring again when London Conversations, Saint Etienne’s latest greatest hits album, finally hits the digital and physical record store shelves next week.

SEAT Ibiza SC Color Edition

Friday, February 6th, 2009

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Are bright colours now about to make a comeback on UK roads?

We noticed it in IKEA car park of all places, when we were taking a break from a recent spate of furniture buying. Where has all the colour gone from the UK’s roads? Looking out across rows upon rows of shoppers’ cars, we noticed that they were all a blur of dark and metallic hues, with few of the vibrant hues seen thirty (or even twenty years) ago.

Of course, metallic paint is a safe resale point, as it’s not as wild and noticeable as a vivid colour, and at best makes a car look classy and expensive, and at the worst, a little bit boring. Silver is very popular, and has proven to be the most chosen colour of UK car buyers, which I now find strange, as after all, the steel which forms the body panels on most vehicles is a silvery hue before it’s painted.

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New SEAT Ibiza SC Color Edition wears the latest colour for 2009

And there’s nothing wrong with that. I have a silver car and am very pleased with it. On some cars it’s a major selling point. Volkswagen for example, used to only offer Golf GTIs in black, red, white, and silver, and these four colours became the traditional sporty Golf palette. But recently, dark grey and even two shade of blue have crept in to the spoil the party, and to add two more dull colours to the nondescript choices available on the lower specification SEs and GTs.

I mean, surely, if you’re buying something a little special and performance orientated (which isn’t particularly apt in the these economic times I’ll admit), then why not shout about it a little?

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New VW Scirocco’s Viper Green paint pays homage to the ’70s model

Manufacturers are slowly starting to realise this, and the ribbons of tarmac that criss cross the country are starting to look a little brighter. The latest manufacturer to inject some colour onto the highways and byways is SEAT, whose Ibiza SC Color Edition has recently been announced. Galia Blue and Lumina Orange are the unique colours for the small SEAT, which also features coordinated interior embellishments, and contrasting 17� alloy wheels (white on the blue car, and silver on the orange model) and roof colours.

Parent company Volkswagen is joining in the fun, too. A little of a shock in itself, as the company is known for its sometimes sober image. But, with a back catalogue of models such as the Golf GTI Colour Concept and Polo Harlequin, it could be rediscovering its daring streak. The new Scirocco is offered in a range of shades which mimic those from the Seventies, Viper Green being the must have shade of the season.

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New Fiesta available in the magenta hue of Ford’s Verve concept car

A very similar colour is being plied by Ford on its new super stylish Fiesta. It’s also offering a vibrant magenta cum cerise which suits the car very well, and directly appeals to the more younger driver, who is exactly the audience that Ford is targeting. The BMW Mini, 2009 Fiat 500, and Volkswagen New Beetle come in yellow, further cementing the vivid colour’s comeback. Again, these hope to appeal to pre-middle aged drivers, and SEAT is clearly trying to catch this demographic, too.

A few years ago, bright colours were the preserve of young drivers of a more hooliganistic bent with baseball caps, loud stereos, and bright neon under car lighting, but the landscape is slowly changing. And that can only be a good thing. Not only is the new bright hue movement halting the seemingly imperceptible grey motoring expanse, but as more manufacturers commit to colour, we can all live and drive in a more technicoloured world once more.