Archive for March, 2009

Volkswagen Golf GTI

Tuesday, March 31st, 2009

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When a new Volkswagen Golf is unveiled, enthusiasts hold their breath with anticipation. Why? Because when a fresh generation of VW’s iconic hatchback is launched, a new GTI version is never far away. The wait is a familiar one; the GTI story goes back almost 36 years, and the sporty Golf is the one that enthusiasts lust after most.

So legendary is its status, Volkswagen can’t afford to get it wrong. And largely is hasn’t. Blips in the 1990s notwithstanding, the hot Golf has been worthy of the legend. With every generation comes more weight and refinement, but not at the expense of fun, and general all-round talent, and the new Mk 6 GTI – launched last week in St Tropez – shows no signs of dropping the baton.

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The order books are now open, and, 32 years after the original went on sale in the UK, there are many characteristics that remain very much part of the GTI tale. Just like the Mk 1, there is a four-cylinder engine and sharp dynamics, and a discrete hot hatchback edge to the looks. The new 2.0-litre TSI engine gives 207bhp (up 10bhp on the outgoing model), delivered between 5,300 and 6,200rpm, giving a 0 to 62mph time of 6.9 seconds.

The Mk 6 GTI is cleaner, too; emissions fall 19g/km to 170g/km, while fuel consumption rises 3mpg to 38.7mpg. The optional DSG automatic gearbox takes the edge of the figures when compared to the six-speed manual, but delivers smooth and fast gear changes. The maximum speed rises to 149mph.

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Every new generation of GTI brings more technology, and the Mk 6 is no exception. A new electronic limited slip differential called XDS ensures greater traction, and along with ESP (Electronic Stabilisation Programme) brings a GTI with greater control and precision. Adding to the handling arsenal are lower springs and dampers, and new anti-roll bars.

The dampers are pneumatically controlled units forming the new Adaptive Chassis Control (ACC) system used to great effect on the Scirocco. Allowing the driver to choose between normal, comfort, and sport modes, ACC controls the suspension, steering and accelerator response settings for any particular journey.

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The new GTI is clearly a GTI, and builds on the heritage of its predecessors. New aggressive bumpers front and rear feature a wider air dam with fog lamps and diffuser with twin exhausts respectively, while the front grille is trimmed in traditional GTI red, and bears the legendary GTI badge. A roof spoiler and 17-inch ‘Monza’ telephone dial-style wheels provide a link to the outgoing car.

A high standard equipment list includes red and black tartan sports seats with red stitching and headrests featuring the GTI logo, a flat-bottomed GTI multifunction steering wheel, red brake callipers, 2Zone electronic climate control, and seven airbags. Prices start at £21,690 for the manual three door, rising to £24,300 for the DSG-equipped five door.

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The first UK-spec cars will be available to drive away on 22 May, and going on the favourable early press reports, it would appear that Volkswagen has kept a hold on the magic that made the Scirocco one of the most hotly anticipated and best new cars of 2008. It certainly seems then, that at first glance, the hot hatch daddy is back.

NVDRSTape

Friday, March 27th, 2009

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We’re all for retro at goodrichard.com, and big lovers of music, so this new MP3 player is perfect. Designed by industrial designer Stefano Pertegato based in Milan, the NVDRSTape is an MP3 player that resembles an old school, old-fashioned cassette tape.

Playing on the emotions of thirty-something technology lovers, there have been retro gadgets masquerading as cassettes before, most notably the Mix Tape USB memory stick.  But, although the NVDRSTape has a USB plug, it goes lots further and ticks more retro boxes than perhaps it useably should.

The genius lies in the fact that to maximise its nod to the world of chewed up tape and 80s sounds, dodgy clothes and even dodgier haircuts, the NVDRSTape comes with a choice of 45, 60, or 90-minute playing times. Of course, that means that you have to be even more selective than with an iPod Shuffle with which MP3 files you’d like to listen to, therefore only choosing your absolute favourite tracks.

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Further retro coolness is added when charging the kinetic battery. Wind the spool and charge is added; do the same and tracks can be rewound or fast-forwarded. Not entirely practical granted, but the bright, period colours will put a smile on your face, and add to the appeal of the designer machine. It even comes in an opening cassette case (which can be used with headphones) to protect it, and displays the time elapsed in the ‘tape’ window.

No price has been given for the NVDRSTape (and you can guarantee it won’t be available at old cassette prices), and only 1,000 units are to be made at first to test demand. On idea alone it deserves to be a hit, although you’d need another MP3 player with you if you’re easily bored by listening to the same music over and over again, or are prepared to change the playlist every day.

Nostalgia freaks as we are, we like it, though admit that it scores low on a few practicality points. Speeding back or forward through tracks will be a chore, and may add ‘spool finger’ to medical dictionaries. The limited capacity and plying time might be an issue, too. But, in a world of multiple downloads and formats, it brings the selective art of the mix tape back. When did you last make one of those?

Pedalites

Thursday, March 26th, 2009

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It’s ironic that just as the brighter mornings and evenings arrive, I finally get around to fitting the Pedalites that Nik bought me for Christmas. The self-powered lit pedals have sat in the shed for the last three months waiting for both the time and the weather needed to fit them. But, both arrived last weekend, and so now I’ve joined the thousands of Pedalite users around the world.

A bit of a pain to fit granted (although with a fitting the same as your previous bicycle pedals), but it was worth the effort. What are Pedalites? The clue is very much in the name. Costing £34.99 a pair, Pedalites are pedals with flashing lights in them, for greater visibility and safety when riding your bike.

And they’re bright, and even brighter in the shed. I didn’t christen Nik’s pair ‘disco pedals’ for nothing. The technology is relatively simple. As soon as you start to pedal, the Pedalites collect kinetic energy from the crank turns, and store it, so that the lights continue to flash when you’re freewheeling or are at a stop, for as long as 5 minutes.

The makers claim that traffic can see the lit pedals from up to 1 km (half a mile away), and that they give the rider ‘360 degree visibility’. And, Pedalites are not only very bright, but also strong, too. The pedals themselves are made from Dupont polymer with metal stud feet grips, and the lenses are polycarbonate.

Overall, I’m very impressed with the battery-free Pedalites, which of course come in more than a little useful when you forget your usual lights, or it’s not quite dark enough to warrant using them. The company that makes them has recently branched out into other products, too, such as lights for running.

Some would say Pedalites are a little pricey, but it’s no cost if they keep you safe, and anyway, the cost should be recouped when compared to the typical cost of batteries otherwise. But of course, don’t forget that safe road manners are free, and however good Pedalites are, they should be used with a high visibility vest, other supplementary lighting, and a cycle helmet.

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Review: Pet Shop Boys, Yes (tracks 7 to 11)

Tuesday, March 24th, 2009

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Continuing the review of the Pet Shop Boys’ tenth studio album, Yes, this second part features tracks 7 to 11, Neil Tennant’s theoretical side B. Part one can be found here. (*Warning* Contains spoilers, so don’t read if you want to discover Yes yourself.)

Building a wall
Neil Tennant has said that if Yes was a traditional vinyl LP, this is where side B would start. With vocals from both of the gents, Building a wall tells stories of the Cold War and Neil Tennant’s childhood, and even includes a spoken word passage.

King of Rome
This song could have easily been plucked from the 1993 Very sessions. Reminding me of Dreaming of the Queen from that album, it’s the Pet Shop Boys at their subdued and balladistic best. With almost ambient-like subtle chord changes and music, it’s a reminder of the duo’s imitable style.

Pandemonium
This track is one of the tracks that Kylie (or her people) turned down, and they must have been deaf the day they heard it. Undoubtedly a highlight of Yes, Pandemonium tells of a relationship between straight-laced and wild lovers. The stomping bass line gallops along at quite a pace after a Doctor Who-like opening, and Bob Stanley from Saint Etienne even features somewhere in the soaring backing vocals.

The way it used to be
The way it used to be is the third and last track on Yes that was written with help from Xenomania. The story of a relationship between two lovers who meet again, the song is one of the album’s more obvious electro moments. It summons up visions of looking out of the window of a high-speed train as it whizzes through the sunny French countryside.

Legacy
The closing track of Yes tells of a fallen political leader, reminiscing about their time in power, and the legacy that remains. A almost marching drum beat backing track underlies typical PSB musical and orchestral flourishes, and once more is a reminder of their varying style.

This used to be the future
Only available on the limited edition Yes etc double CD, the first track on the bonus disc features Human League vocalist Phil Oakley. A kind of PSB meets Jean-Michel Jarre type of affair it’s very ‘80’s in sound, fitting Oakley’s vocals well.

All in all, Yes reminds me very much of PSB’s Very from 1993, surely one of the duo’s most loved long-players. Available in both CD and digital bundle formats, depending on where you choose to buy, the downloadable album is available with an insightful and interesting track-by-track commentary by Neil and Chris, if that’s your kind of thing.

So then, better than Fundamental, and close to the genius of Very. Yes is the best and most Pet Shop Boys album for over 10 years. But, after 25 years of setting the standard, are Neil Tennant and Chris Lowe still worthy of their place in the modern pop landscape? It’s a resounding ‘yes’ from here.

goodrichard.com rating:

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Review: Pet Shop Boys, Yes (tracks 1 to 6)

Monday, March 23rd, 2009

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I’ll give it to you straight. To paraphrase a previous LP by the gents, the first album from the Pet Shop Boys for over two years is very PSB. Strictly speaking it shouldn’t be, as successful hit makers Xenomania produced it and co-wrote three of the eleven tracks, and a handful of the songs were unfinished projects for other artists.

But, despite all that, Yes hangs together and is both more traditional PSB and uplifting than 2006’s Trevor Horn-produced Fundamental. The project started in 2007 when the electronic duo was working on songs that would eventually be turned down by Kylie.

The modern day Xenomania hit factory has produced some of the most memorable and successful songs of the last year or two, and critics pop-hating could say that’s why Neil Tennant and Chris Lowe asked to work with them – to make hits. Fair enough, but then why has Yes turned out to be the most PSB album since 1999’s Nightlife?

Granted, some of the songs have more than a shade of Girls Aloud-like hooks, but, when these are weaved with the PSB’s musical flourishes and compositions, it all works to great effect. The lead single Love etc for example, sounds unmistakably PSB, but was co-written by Xenomania, and was the first track completed for Yes.

But, how does the album stack up? In interviews promoting Yes, Neil Tennant has said that it’s an album of two traditional sides. So, here’s a track-by-track rundown of the theoretical side A. (*Warning* Contains spoilers, so don’t read if you want to discover Yes yourself.) Read part two of the review here for a rundown of tracks 7 to 11 on Yes, and This used to be the future, the first song on the bonus disc which forms part of the limited edition double CD Yes etc.

Love etc
The opening track is classic PSB (even with that Xenomania co-write credit) and you can’t have failed to have heard it – it’s been all over the radio the last few weeks. Telling listeners to eschew celebrity culture material belongings, the chants bring to mind the male voice choir on 1993’s Go West.

All over the world
Originally a swing beat song with another title, All over the world features an excerpt from Tchaikovsky’s The Nutcracker Suite. Allied to a rallying cry vocal, the uplifting song has both the full and grandiose feel and spectacle of certain previous PSB compositions.

Beautiful people
The Sixties-sounding Beautiful people started life as a possible theme tune for the Jonathan Harvey-penned and BBC-screened programme of the same name. More ‘proper’ music than electronic (using ‘proper’ instruments), it tells of possible happiness through fame and fortune.

Did you see me coming?
I liked this from the moment I heard it a few weeks ago, when it featured on the Pet Shop Boys Story: 25 Years of Hits CD given away with a certain Sunday newspaper. Not classic PSB in the traditional sense, it is happy sunny pop at its best, and relays the story of lovers meeting for the first time.

Vulnerable
French-sounding synth pop with sampled Spanish guitar flourishes best describes Vulnerable. Like its twin The way it used to be, this song has shades of Desireless’ 1980s Voyage Voyage and French supermarket pop to it in its electro bass line.

More than a dream
Another Xenomania co-write, More than a dream kicks in with a Girls Aloud-like sound, and is unmistakably a product of the hit making team. It’s none the worse for that, though, and marries the PSB sound with the Xenomania sound to great effect, making one of the highlights of the album.