The World of James Herriot sounds like an awful vet-themed theme park, but in fact, is a rather charming place to visit for an afternoon. Rain quite literally stopped play today, and so as it was on our list of things to do, we decided to buzz north east past Ripon to Thirsk, and pay a visit to the once home of Yorkshire’s favourite vet.

James Alfred Wight has left an everlasting legacy in popular culture
Found at Skeldale House, 23 Kirkgate, the museum is housed in the building that was actually the real-life practice and home of Herriot. Now restored to how it would have been in the 1940s, it is of course where the stories of all creatures and small were born. A vet first, and a writer second, Herriot gradually collected humourous and touching stories of Yorkshire farming folk.
After many rejections, he was finally awarded a book deal. But, born James Alfred Wight, it would be seen as advertising if he were to write the books under his real names, and so taking the surname of a favourite footballer, and with a popular series of books, he became a household name.
The museum tells two stories; that of his real-life and that of his on-screen lives. You can’t mention Herriot without immediately thinking about TV’s All Creatures Great and Small of course, but the two films made before that with John Alderton and Simon Ward are featured, too. Without the screen connections, though, it was very strange to think that you were exploring the largely-unchanged house in which Herriot once lived and took surgeries.

Christopher Timothy drove the TV Seven to the museum’s opening
As well as the UK’s only veterinary science museum with over 4,000 objects, an interactive surgery keeps the kids amused, but it’s the All Creatures props and sets that were the undoubted highlight for me. The Austin Seven that Christopher Timothy drove in the first series is parked under a pergola garage, and stepping into the surgery set seemed very surreal.

It looks smaller than on TV, but was it the real surgery, veterinary?
Whether or not there were several sets in varying locations I don’t know, but this one seemed smaller than the one on the DVDs which we’re now watching; maybe it was used for close-in shots. The production stickers on the back of them seemed real enough. With cameras, scripts, and titles on TVs, the exhibit is well done. It even has the blessing of most of the cast of the original series; Christopher Timothy even cut the museum’s opening ribbon in 1999.




