Posts Tagged ‘Music’

Eurovision 2010: Latvia

Friday, May 21st, 2010

Yes, it’s that time of year again, and 2010’s Eurovision Song Contest has almost as many commercial-sounding entrants as both the 2009 and 2008 competitions. There are at least ten songs worthy of a mention, but as time is short, over the next week I’m going to choose my favourite five. In another comparison to last year’s event, Latvia sent a hip-hop mess of a song to Moscow last year, but its 2010 song is altogether different.

Other countries have had similar change of hearts, too, and What For? (Only Mr God Knows Why) is a mid-tempo ballad sung by TV reality show winner turned TV presenter Aisha. Her entry has a strong vocal performance, an accordion and gradually builds to the finish. Latvia failed to qualify last year, knocked out in the second semi-final. Aisha should fare much better; see how she does in the first 2010 semi on Tuesday 25 May.

Kylie: All The Lovers

Friday, May 14th, 2010

Here it is then. All three minutes and 22 seconds of Miss Minogue’s new chartbuster and the first flourish of new output from the Kylie camp. Less listens are needed than was the case with 2 Hearts to accept that it’s a polished, pure pop, glossy sound. A fantastic, summery-sounding track, it’s a much better ‘comeback’ single than the 2007 effort and is the type of sound that Kylie does best. Could that chorus also be just the slightest bit anthemic in a live later life? Premiered on radio all across the world today, All The Lovers is released digitally on 13 June (a physical and digital bundle follows on the original 28 June release date). The 12-track Aphrodite album hits stores on 5 July.

Kylie: All The Lovers single and Aphrodite album

Tuesday, April 20th, 2010

After three years away, how exciting is this?

Diana Vickers: Once

Monday, April 19th, 2010

I don’t know how I missed this. It certainly came out of the blue. Recording the 4Music Top 20 this week resulted in this being played at no 17 and the 2008, fourth-placed X Factor contestant’s rocky stomper getting into my head, turning into an instant digital purchase. It proves that you don’t need marketing. I hadn’t taken much notice of, and didn’t know that much about Ms Vickers’ pop career until yesterday, but on the back of Once. I’ll be taking a more closer interest. Once is one of the best songs of the year so far.

Sounding like a cross between Björk and Ellie Goulding in vocal style, in the fun video Diana looks more like Ms Goulding than the real thing does. And sitting pretty at the top of the iTunes UK single tree will surely do her no harm either, building up anticipation for her first album release Songs From The Tainted Cherry Tree, due out on 3 May. What a Bank Holiday weekend that’s shaping up to be. With Sophie Ellis-Bextor’s new tune Bittersweet out the same date, who’ll get the most listens? I don’t know the answer to that one yet, but I suspect that both of them will get heard more than [ahem] once…

Sophie Ellis-Bextor: Bittersweet

Friday, March 26th, 2010

One of the advantages that the interweb has brought to music lovers is the chance to hear new releases weeks, sometimes months ahead of their release date. And if said new releases are as crackingly good as this new single from poptastic diva Sophie Ellis-Bextor, then that can only be a good thing, yes?

2009 was a good year for pop, with outstanding releases from Lily Allen, the Pet Shop Boys, Annie and Natalie Imbruglia to name but four. Another highlight was this ex-theaudience front lady’s collaboration with Freemasons, Heartbreak Make Me A Dancer. The dance-orientated track was an absolute belter and deserved to do better than its disappointing final UK chart placing of 13.

This new track is equally as danceable and showcases the style for Mademoiselle E-B’s new long-player, Straight To The Heart. Out on 2 May, Bittersweet is similar to Kylie’s The One in style (that too was produced by Freemasons) and, as with other releases currently orbiting the pop world at the moment, it more than nods a little back to the 1980s (especially the Blue Monday-esque pre-chrous drum beats breakdown).

If the rest of Straight To The Heart is like this, then Sophie will have pulled off both one of the surprises and highlights of 2010 so far. And although the video for Bittersweet isn’t as visually arresting as the clip for Heartbreak, the same style is noticeable throughout. I might be bored of the low-quality audio streams by then, but 2 May really can’t come fast enough.