*Warning: contains spoilers*
We haven’t been to watch a film at the cinema for over two years. Why? We don’t really know, as there have been films we’ve wanted to see after all, so there’s no real reason for our non-attendance. But, Thursday night saw us at the Odeon in Chelmsford to watch the five-star reviewed The King’s Speech.
There with three other members of my Starfish Project stammering recovery group and their other halves, we didn’t really know what to expect from a two-hour film depicting King George VI’s struggle with his stammer, played out against a subtle backdrop of the abdication of his brother Edward VIII (who was to marry Wallis Simpson), the ensuing accelerated ascension to the throne, and the outbreak of World War II.
What we got was certainly deserving of the much-praised five-star reviews in the press; a brilliantly honest, and, at times, emotionally touching account of ‘Bertie’s’ stammer and how he overcame it with Australian ‘speech defect’ specialist Lionel Logue. Tom Hooper’s film starts with George VI reluctantly and uncomfortably addressing the 1925 Empire Exhibition at Wembley Stadium, and chronicles his and Logue’s journey, resulting in his 1939 three-page radio speech declaring the start of World War II.
What’s interesting is the close friendship that the two men developed. Through a mixture of honesty and trust (much like that of a speech therapist and a patient), the viewer sees them go through ups and downs, and scenes both hilarious and hysterical, all accurate portrayals of how nearly all stammerers feel during the varying degrees of their recovery.
A stellar cast certainly helps the film tells its story. Colin Firth is breathtakingly accurate in his portrayal of ‘Bertie’, while Geoffrey Rush plays the part of the understanding Logue brilliantly. Helena Bonham-Carter is the ever-supportive Duchess of York (later the Queen Mother), while a supporting cast of Guy Pearce (Edward VIII), Michael Gambon (George V) and Timothy Spall (Winston Churchill) make sure that all the pivotal characters play their part.
With beautiful cinematography depicting a 1930s London, the film’s script was reportedly updated after the discovery of some of Logue’s original notes. Years in the making due to the late Queen Mother’s apprehension about its release, it’s one of the best films I think I’ve ever seen. And while that may in part be down to personal reasons, The King’s Speech shouldn’t be overlooked. To enchant an audience with what could be a particularly difficult or dry subject for two hours is something both truly special and inspirational.